One day he was standing in a wood where two roads lay before him and he looked down one till it finally bent and disappeared behind trees and bushes. The poet takes us closer to the nature and its beauty to acquaint us with his point. A lone traveler standing in yellow woods trying to decide between two routes – one he is familiar with and the other that is not taken. Most of the appear in the poem is due to the plentiful use of imagery. However, there is no bigger accident than having lost your urge to explore new things. So, they choose to travel the more traveled routes where there are less chances of accidents. In the modern age especially, people do not love the toil but only want results. If we do otherwise and dare to take difficult roads, we would be taken to prettier destinations. Through the example of two roads in the woods, the poet explains how we are used to making easy choices in life. If you are looking for things of value you will have to dig deeper and explore the unexplored. However, the problem is that convenient routes lead to convenient destinations. What happens in general life is that every person keeps looking for convenient routes to success. It inspires to do things that few people dare to do. The Road not Taken is an inspirational poem by Robert Frost that tries to inspire us to rise above the petty and do things extraordinary. If Frost’s most famous poem is representative, and if Orr is right about it, we should see Frost not as the earnest Yankee sage beloved by junior high school teachers or the dark jokester expounded by college professors, but as an artist able to evoke and clarify the conflicts that follow from the ways we think we understand ourselves.The Road not Taken by Robert Frost: Summary and Analysis This holds for the poet as well as the poem. Orr - who writes the On Poetry column for the Book Review - is the first person to argue this at length for a popular audience, and he’s persuasive enough to give us good reason to hope that his interpretation will lodge a toehold in conventional wisdom. The options “blur and merge,” Orr writes they are “like overlapping ghosts.” As he evocatively puts it, “Two potential poems revolve around each other, separating and overlapping like clouds in a way that leaves neither reading perfectly visible.” It might have changed him deeply, it might not have. His decision might have been arbitrary, it might have been meaningful. It doesn’t accept or reject its myth of choice but sets us up to feel the tensions involved in having to choose, as if each reader were the traveler. Yet according to the corrective that David Orr offers in “The Road Not Taken,” his new book-length analysis, the poem is neither an ode nor a dark joke but somehow both at once. It was an arbitrary choice, this national myth of choosing independently and bravely and becoming the sum of your choices or finding yourself. The other looked as grassy, as trodden, as easy or hard or distinctive. The traveler hasn’t been changed by his choice of a long and lonely road, but tells us that he’s going to tell that story when he’s older, even though he had no particular reason to choose the road he took. As interpreted in The New Yorker or “Orange Is the New Black,” the poem is not in fact an ode to individualism but a joke at the expense of individualist hokum. Most of us have also heard the story that says this is all bunk. That poem is “The Road Not Taken,” by Robert Frost, and its subject is familiar to most of us who attended an American or a Yankophilic middle school at some point in the last century: A traveler comes to a fork in the woods and, after sweating over his direction in life, takes the road less traveled, and it makes all the difference. David Orr has written the best popular explanation to date of the most popular poem in American history.
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